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Bardo, the latest surrealist epic from Alejandro G. Iñárritu, has the Mexican moviemaker returning home to reflect on the elusive topics of home and memory.
The color in Pearl, the latest from Ti West, is striking — but West almost shot the Mia Goth horror film in black and white.
Path of the Panther impact producer and director explain how their impact campaign affected legislative change. Now they’re tackling education.
Disfluency is an intensely personal film by Anna Baumgarten, but she almost didn’t direct it. It is now competing at the Naples International Film Festival.
Frederik Bokkenheuser, a colorist with the state-of-the-art post-production house Picture Shop, expains what a colorist does.
Ana de Armas felt the presence of Marilyn Monroe while shooting Blonde — and she believes the tragic star approved of the film.
The Banshees of Inisherin star Colin Farrell says at the Venice Film Festival that “good chatter” can unite us and shouldn’t be canceled
Dead for a Dollar writer-director Walter Hill sees no link between the violence in Western films and real gun violence in America.
A friendly Don’t Worry Darling press conference at the Venice Film Festival turned when reporters asked Olivia Wilde about Florence Pugh and Shia LeBeouf
The Civil Dead continues and Giving Birth to a Butterfly won top awards at the fifth annual Nòt Film Festival, which just wrapped in Santarcangelo, Italy.
Vengeance writer-director-executive producer B.J. Novak tells MovieMaker how he got acquainted with Texas while making his new movie
The Gray Man directors Anthony and Joe Russo take two “diametrically opposed” characters played by Chris Evans and Ryan Gosling on an “ethical crash course”
Dating back to the ’80s Cinema of Transgression movement, Peter Strickland has always been fascinated by shock value. In Flux Gourmet, he examines its value
Good Girl Jane writer-director Sarah Elizabeth Mintz explains her difficult decision to throw out her “poppy,” “page turny” script and start from scratch.
Woody Allen discusses foul language and his jazz hobby with Alec Baldwin on IG; Tarantino reviews grindhouse films; Pedro Almodóvar is shooting a western.
Alex’s War, a new doc on conspiracy theorist Alex Jones, promises to look at his role in the January 6 riots and his denial of the Sandy Hook shootings.
Bradley Cooper recalls the response to A Star is Born’s eight Oscar nominations. Luca Guadagnino dishes on sex scenes; a brand new Stranger Things trailer.
In Brian and Charles, the performance of a lo-fi 7-foot robot with a washing machine body and mannequin head, encompasses a range of emotion.
Squid Game is returning for a second season; Lightyear will not be opening in these two countries; Bill Hader talks the Barry Season 3 finale.
E.T. and Jawscoming to IMAX; Disney CEO Bob Chapek surprises everyone; Michael Peterson has choice words about HBO’s The Staircase
In the new trailer for Actual People, writer-director Kit Zauhar is Riley, a college senior whose post-graduation plans are unexpectedly put on hold.
Actors has director Betsey Brown continuing the experiment her brother started with Assholes, in which her family play outsized versions of themselves.
Neve Campbell drops out of Scream 6; Steve McQueen has two high profile WWII films in the works; the Fargo Season 5 cast should grab your attention.