About Phillip Williams

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February 3, 2007
Writer-director Patty Jenkins has hit the ground running with her first feature, the widely acclaimed, Monster, a riveting and dark […]
February 3, 2007
Writer-director Jean-Jacques Annaud/Paramount Pictures After a three-year absence, French moviemaker Jean-Jacques Annaud is back–returning to theaters this summer with Two […]
February 3, 2007
With his new picture, Baby Boy, writer-director John Singleton returns to his own backyard in South Central Los Angeles for […]
February 3, 2007
Over the course of a career that began some 40 years ago, Ruth Prawer Jhabvala has penned over 20 screenplays, including many adaptations of novels.
March 21, 2004
“[Being a director is about] being an observer—a pair of eyes with some sort of taste attached—someone who can understand […]
October 7, 2003
Anthony Minghella discusses a shot with cinematographer John Seale on Cold Mountain. Anthony Minghella met with MM over lunch while […]
July 14, 2003
Moviemakers Leigh, Jaglom, Duvall and Loach are latest in a long line of “naturalistic” directors or nearly as long as […]
April 5, 2003
Sound is one aspect of the film craft which, because of the medium’s overwhelming visual bias, is often undernourished—even by […]
April 4, 2003
Sound recording technology for film has remained surprisingly constant over the years. Before the arrive of DAT (Digital Audio Tape) […]
February 10, 2003
Francesca LoSchiavo and Dante Ferretti have collaborated on eight films. Dante Ferretti designed his first picture, Pier Paolo Pasolini’s Medea, […]
October 12, 2002
Oscar-winning director Jonathan Demme has never shied away from exploring the often shadowy and troubled contours of the American story landscape.
September 30, 2002
The initial flowering of cinema in Spain at the beginning of the 20th century occurred in much the same way […]
July 9, 2002
“It captures a great image,” says DP Mark Benjamin of the Sony PD-150 camera. High Definition, Digital Betacam, DV Cam, […]
July 3, 2002
Some 40-plus years ago a gifted band of moviemakers—celebrated the world over as the French ‘New Wave’—were playfully reinventing the rules of the game.
June 27, 2002
Vinícius de Oliveira and Fernanda Montenegro in Central Station (1998), an international hit for Brazilian director Walter Salles. Moviemaking came […]