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Frame of Mind
Frame of Mind:
To Do True Crime Right,
The Confession Tapes
Used Private Interview Locations and Macro Lenses (Video)
By
Max Weinstein
Frame of Mind:
To Blend Real and CG FX,
The Osiris Child
’s Team Built A Sci-Fi Set On Their Sound Stage Roof (Video)
By
Caleb Hammond
Frame of Mind:
To Build Dread,
Dementia 13
’s Crew Shot Handheld and Made Its Tunnel Location From Scratch (Video)
By
Max Weinstein
Frame of Mind:
Watch How
Joshua: Teenager vs. Superpower
Followed Multiple Points of Action to Shoot a Protest (Video)
By
Max Weinstein
Frame of Mind:
Watch How
I Love Dick
DP Jim Frohna’s Framing Heightens Characters’ Emotional Conflicts (Video)
By
Max Weinstein
Frame of Mind:
Take Advantage of Darkness to Craft Jump Scares, Says
Camera Obscura
Director Aaron B. Koontz (Video)
By
Max Weinstein
Frame of Mind:
Doubled Lenses, Distorted Time Heighten Sports Action in
Spirit Game: Pride of a Nation
(Video)
By
Max Weinstein
Frame of Mind:
Over-Prepare For Tricky FX And Long Shoot Days, Warns
The Shadow Effect
Director Amariah Olson (Video)
By
Max Weinstein
Frame of Mind:
You Need At Least One Big Scene To Sell Your Movie, Says
Black Rose
Director Alexander Nevsky (Video)
By
Max Weinstein
Frame of Mind:
Watch How DP Toby Oliver Shot the "Sunken Place" Scene and Made Day Look Like Night in
Get Out
(Video)
By
Max Weinstein
Frame of Mind:
To Replace a Lost Prop,
Atomica
Director Dagen Merrill Built a New One With Street Trash (Video)
By
Max Weinstein
Frame of Mind:
Watch How Kris Avedisian Made His Awkward Lead Relatable in This
Donald Cried
Scene (Video)
By
Max Weinstein
Frame of Mind:
To Toy With Audiences, Focus On What They
Don’t
See, Says
Lavender
Director Ed Gass-Donnelly (Video)
By
Max Weinstein