sundance film festival

Breaking Down the News: In Antonio Campos’ Christine, Rebecca Hall Find the Darkness That She’s Been Looking For

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The Birth of a Nation’s Biggest Lesson for First-Time Directors? Surround Yourself with Experienced Crew

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Bedouin Dreams: Elite Zexer Talks Ancient Gender Bias in Israel’s Oscar Entry Sand Storm

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Checking Your Privilege: White Girl Director Elizabeth Wood Navigates Sex, Drugs and Racial Stereotypes

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The Desire to Be Seen: How Robert Greene Used Performance to Investigate Tragedy in Kate Plays Christine

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Defining Complete Unknown: Joshua Marston on Writing Shape-Shifting Characters, Directing a Contained Set

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“You’re in the Business of Storytelling:” Meera Menon on Equity and How Investment Banking Parallels Filmmaking

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A Diet of Myth and Fable: Roger Ross Williams’ Life, Animated is a Hopeful Reminder of the Power of Movies

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Sundance 2016: See Indie Film’s Movers and Shakers in Jeff Vespa’s Beautiful @Portraits

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Slaying the Horror Festival Circuit: How To Navigate the Deep, Dark Maze of North American Horror Film Festivals

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Fighting the Deafening Chorus of “No”: Michael Shannon and Ramin Bahrani on Real-Estate Thriller 99 Homes

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Vigilante Film Commissioning: Film Exchange Rescues Indie Production in South Texas

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Formats, Licensing, Creative Fundraising: The Epic 19-Year Making of Music Doc The Wrecking Crew

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Fury Road: The Post-Apocalyptic World of Turbo Kid

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Park City 2015: 13 Picks from Sundance and Slamdance

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Festival Strategy 101: Plot the Right Course for Your Film

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Myth of the Two Percent: Why Hollywood’s Shifting Views on Female Cinematographers are Good News for Indies

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How They Did It: The Incredible-but-True Story of Blue Ruin

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Park City 2014: 10 Breakthrough Moviemakers from Sundance

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Park City 2014: 12 Highlights from MovieMaker‘s Guest Instagram Series

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by Jeff Meyers
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Park City 2014: Sundance Film Festival Diary, Entry Three
by Jeff Meyers

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by Jeff Meyers
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Park City 2014: Sundance Film Festival Diary, Entry Two
by Jeff Meyers

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by Jeff Meyers
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Park City 2014: Sundance Film Festival Diary, Entry One
by Jeff Meyers

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Rotterdam 2013: Hivos Tiger Award-winner Daniel Hoesl discusses Soldate Jeannette
by James Kaelan

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